Entry of Academic Procession
The Chancellor, Deputy Chancellors, Vice-Chancellor, Deputy Vice-Chancellors, members of the University Council and staff of the University will enter in academic procession.
Indigenous Opening
Australian National Anthem
Opening of Proceedings
Presentation of Graduates
Closing of Proceedings
Departure of Academic Procession
The Chancellor, Deputy Chancellors, Vice-Chancellor, Deputy Vice-Chancellors, members of the University Council and staff of the University will exit in academic procession.
Chancellor
Mr John Hood
Deputy Chancellors
Ms Leanne Liddle
President and Vice-Chancellor
Professor Colin J Stirling
Senior Deputy Vice-Chancellor
Professor Romy Lawson
Deputy Vice-Chancellor (Research)
Professor Ray Chan
Vice-President (Corporate Services)
Mr Jonathan Pheasant
General Counsel & University Secretary
Mr Marc Davies
Business, Government and Law
Professor Michael Gilding
Education, Psychology and Social Work
Professor Deborah West
Humanities, Arts and Social Sciences (Interim)
Professor Romy Lawson
Medicine and Public Health
Professor Jonathan Craig
Nursing and Health Sciences
Professor Tracy Humphrey
Science and Engineering (Interim)
Professor Ray Chan
| Name | Supervisors | Thesis | Citation |
|---|---|---|---|
| Julian Calcagno | Principal Supervisor: Associate Professor Erin Sebo Associate Supervisor: James Kane | By thesis entitled: Honour and Shame in Early Medieval English Legal Systems | This thesis looks at how justice ideally functioned in early medieval England by focusing on ideas of honour and shame. Julian argues that while honour remained important, over time, shame became central to the administration of punishment. Kings bridged traditional, honour-based justice with Christian ideas about shame, guilt, remorse, and redemption. While there has been much scholarship on honour, shame has yet to be explored in the same way. Julian’s thesis aims to fill that gap. |
| Irma Cela | Principal Supervisor: Jeffrey Gil Associate Supervisor: Mirella Wyra Adjunct Supervisor: Peter Mickan | By thesis entitled: Analysing English language textbooks and Teacher's Views in Italy: Meaning-making perspectives | Italy has recently implemented educational reforms to improve English language teaching (ELT) in line with European standards, adopting the Common European Framework of Reference for Languages (CEFR). Using a Systemic Functional Linguistics (SFL) and genre-based framework, this thesis analyses genre, register, discourse, and lexicogrammar to evaluate alignment with CEFR aims in Italian middle schools. A mixed-methods design combined textbook analysis (the Twenty-One series) with teacher surveys (n=111) and interviews (n=5). Findings reveal an overemphasis on grammar and vocabulary taught in isolation, limited authentic discourse, and teacher reliance on school-selected textbooks. Teachers reported a primary focus on exam preparation, while time pressures and rigid curricula restricted the use of supplementary resources. Based on these findings, the thesis recommends adopting an approach that contextualises language use through SFL and genre theory. These recommendations can effectively support the communicative goals of the CEFR, bridging the gap between curriculum policy and classroom practice. |
| Francis Darko | Principal Supervisor: Professor Susanne Schech Associate Supervisor: Udoy Saikia | By thesis entitled: Internal migration and multidimensional wellbeing: A contextual study of northern Ghanaian youth migration to Sunyani | In Ghana, many young people migrate from rural northern areas to southern urban centres, hoping for a better life. However, it is unclear whether and how this truly improves their overall quality of life. This thesis examined the multidimensional wellbeing impacts of migration on young people moving within Ghana. Using surveys and personal stories, the thesis reveals that while many migrants earn more, they still struggle with health, education, housing, and feeling part of their new community. Most rely on ethnic networks for support, which helps them feel connected but also keeps them isolated. Applying an innovative wellbeing framework adapted to Ghana’s context, this study goes beyond financial considerations to understand what truly matters for a good life. It offers new insights into the social and cultural challenges of internal migration and calls for more inclusive urban policies that support young migrants in building not just livelihoods but fulfilling lives. |
| Iriana Freitas De Jesus Ximenes | Principal Supervisor: Professor Udoy Saikia Associate Supervisor: Susanne Schech | By thesis entitled: Reintegration of returnee migrants: Temporary labour migration and the development nexus for Timor-Leste | The reintegration of international labour migrant returnees has been challenging for a country like Timor-Leste. The government has been grappling with the challenge on economic development strategy that can offer sustainable livelihoods to its people. Temporary Labour Migration Programs (TLMPs) are the way to mitigate unemployment and, at the same time, foster economic development through remittances. However, while the TLMPs prepare Timorese workers for work abroad, they do not adequately prepare them to return and reintegrate into Timorese society. This thesis examines the reintegration of returnee migrants from the Australian Seasonal Worker Program (SWP) and South Korea's Employment Permit System (EPS). Based on the findings the most significant challenge for Timorese returnees is economic reintegration due to the sluggish job market and limited support for small business upstarts. Socio-cultural issues and the lack of reintegration support from governments involved in both programs contribute to the poor economic reintegration outcomes. |
| Vito Paolo Cruz Hernandez | Principal Supervisor: Professor Mike Morley Associate Supervisor: Martin Polkinghorne | By thesis entitled: Early human dispersals and occupations of Pleistocene Southeast Asia: A micro-geoarchaeological approach | Using a highly-resolved approach to study sediments and their stratigraphy, this thesis investigated the Ice Age environments of the Mata Menge (Indonesia) and Tam Pà Ling (Laos) sites, where scientists found human fossils and artefacts in the last decade or so dating back to about 700,000–500,000 and 51,000–41,000 years ago. The investigations demonstrate the ground conditions leading to the deposition of the archaeological remains in Mata Menge, and the patterns of human visitation in Tam Pà Ling. This new knowledge improves the little understood evolution of Southeast Asia's indigenous but extinct human species during the Middle Pleistocene and provides an understanding of the spatio-temporal dynamics of our species in the region during the Late Pleistocene. Through its approach, this thesis contributes to informing Pleistocene human dispersals and occupation globally, which has surprisingly seen little use in an important area of human evolutionary studies like Southeast Asia. |
| Holly Theresa Hershman | Principal Supervisor: Dr Sean Williams Associate Supervisor: Kate Douglas Joint Associate Supervisor: Kylie Cardell | By thesis entitled: Objects in the mirror are closer than they appear:Reflections on an autofictional writing cure | The 21st century has seen growing scholarship in the creative writing for personal development field. This field is yet to explore the therapeutic potential of autofiction, a traditionally French genre that involves fictionalisation of the self by bridging writing about life through facts with fiction. Drawing upon practice-led research, case studies and interviews with authors, this thesis forges a connection between writing autofiction and the narrative therapy process devised by Michael White. This research found that in writing about the self through autofiction, authors are externalizing their narrative. This empowers writers to re-author their identities through fictionalised protagonists that enable them to play with plotting, voice and psychological distance and sharing phantasms. By drawing upon autofiction scholarship and narrative therapy practices, this thesis has confirmed that autofiction facilitates therapeutic inquiry for writers. |
| Collethy Jaru | Principal Supervisor: Professor Udoy Saikia Associate Supervisor: Gour Dasvarma | By thesis entitled: Using Indigenous Knowledge to enhance food security in the wake of climate change in rural Papua New Guinea. | This thesis explores the potential of Indigenous knowledge systems to enhance food security in the wake of climate change, with a focus on rural communities in Papua New Guinea (PNG). Drawing from ethnographic fieldwork, participatory methods, and critical analysis, the research examines how Indigenous agricultural practices, biodiversity management, and cultural resilience offer sustainable solutions to food insecurity. It highlights the adaptive capacity of Indigenous communities in responding to environmental changes through Indigenous knowledge, skills, tools and technologies (IKSTT) The study also critically engages with the challenges posed by modernisation, resource extraction, and climate-induced disruptions, emphasising the need for culturally sensitive, decolonised approaches to policymaking. The findings advocate for integrating Indigenous knowledge (IK) with scientific frameworks to create hybrid models of resilience. By centring Indigenous voices, this research contributes to global discourses on food security, climate adaptation, and the recognition of Indigenous epistemologies in sustainable development. |
| Lachlan Salt | Principal Supervisor: Dr Nicholas Godfrey Associate Supervisor: Julia Erhart | By thesis entitled: The Digital Title Sequence: Television Title Sequences in the 2010s | The thesis examines the industry, aesthetics and reception of American prestige television title sequences made by two motion graphic design studios, Elastic and Imaginary Forces, from 2010–2019. The title sequences made by these two companies during these years constituted a discrete cycle of television title sequences that were industrially and aesthetically distinct from previous cycles and forms of television title sequence design. The discrete title sequence cycle is called the digital title sequence. The thesis argues that the digital television title sequence cycle is a significant aesthetic and industrial shift and thus sheds light on the industrial, aesthetic, and discursive construction of prestige television in the 2010s. |
| Tania Walker | Principal Supervisor: Dr Sean Williams Associate Supervisor: Lisa Bennett | By thesis entitled: Power and Passion: Reimagining Transgression in Pride and Prejudice | In 'Pride and Prejudice', Elizabeth Bennet’s hopes for happiness and security are threatened when her sister Lydia elopes with the scoundrel Wickham, disgracing her family. Austen’s novel relies on rigid 19th-century conventions, which reimaginings—modern retellings of her story—must replace with culturally relevant contemporary equivalents. Updating Lydia’s transgression raises the question: what do we consider transgressive for women now? To explore this, I analysed 30 contemporary reimaginings, tracking how each modernises Lydia’s breach of social norms and engages with issues such as age, consent, slut-shaming, victim-blaming, and agency. These substitutions translate the past, illuminate new readings of Austen’s novel, and reveal the evolving cultural constraints on women’s behaviour today. This research informed the creation of my own novel, a queer reimagining of 'Pride and Prejudice' set on Australia’s Sunshine Coast in the 1980s—'Power and Passion': a comedy of manners in a country with none. |
| Jayme-Paige Wearn | Principal Supervisor: Professor Kristin Natalier Associate Supervisor: Monique Mulholland | By thesis entitled: In the wilderness and the lab, one learns to be a woman: the gendered constitution of experience in male-dominated school subjects | Today, girls in STEM and outdoor education spaces continue to be outnumbered and experience practices, perceptions and invisibilities which form barriers to their participation. These barriers emerge from school structures, teaching and subject practices, the curriculum, and their social environment. Despite decades of research and interventional efforts to address unequal levels of participation, little appears to be changing, demonstrating critical gaps in current approaches and research, and the need for a more thorough interrogation of the complexities of this problem. This thesis investigated the way girls navigate their participation in male-dominated subjects through focus groups and semi-structured interviews. The findings demonstrated that girls’ experiences are marked by discomfort and complexities. To foster a greater sense of belonging, the participants identified a need for increased social safety and more meaningful connections to their teachers, peers and learning. This study opens up possibilities for thinking about gender differently in male-dominated subjects. |
| Callum Williams | Principal Supervisor: Associate Professor Lisa Bennett Associate Supervisor: Sean Williams | By thesis entitled: A New Frontier for Environmental Fiction: Space Junk and Cultural Memory | Space junk represents a growing environmental concern in near-Earth orbit, mirroring climate change on the planet's surface. If humanity is to have any chance progressing into space, the systemic principles exacerbating both astro and terrestrial pollution need to be managed. This means not only looking forward to what the future may hold if we approach space usage from a messy perspective, but also looking back to when the problems started. This thesis comprises a creative novel, 'Dragonflies Echo', and an exegesis, imagining a future where space debris proliferates dangerously alongside humanity’s expansion into the stars. Intersecting the principles of environmental fiction and cultural memory theory, 'Dragonflies Echo' interrogates how reinterpretations of the devastated past can be coloured by societal values of progress and wealth in the present. This novel enters the burgeoning field of space junk fiction, a topic on the rise as concerns beyond our atmosphere continuously expand. |
| Shaun Paul Wilson | Principal Supervisor: Associate Professor Claire Henry Associate Supervisor: Nicholas Godfrey | By thesis entitled: Metamodern Affect, Trauma Memory and Slow Cinema in The 51 Paintings Suite | This PhD by Prior Published Work recognises 'The 51 Paintings Suite', a long term practice-based film study about trauma memory, metamodern affect and slow cinema that produced a collection of long-form slow films published between 2012 and 2022. The aim of the study was to consolidate perspectives about trauma memory and slowness through the moving image that led to the discovery of a new way to model metamodern affect in slow films which Wilson terms a ‘structure of reason’. Throughout this research Wilson reflectively aligned metamodern theory to the production of these films that sought to establish new knowledge about trauma memory as slow films in his practice. |
| Name | Award |
|---|---|
| Olivia Daw | UP THE HILL PROJECT |
| Ryan Rowland | UP THE HILL PROJECT |
| Rebeka Touzeau | UP THE HILL PROJECT |
| Bridie Rose Greene | DIPLOMA IN ARTS |
| Himaya Nethmi Udawatta Appuhamilage Dona | ASSOCIATE ARTS |
| Chloe Jade Anderson | BACHELOR OF ARCHAEOLOGY |
| Callum Jack Berkinshaw | BACHELOR OF ARCHAEOLOGY |
| Se'elle Amara Clarkson | BACHELOR OF ARCHAEOLOGY |
| Elara Tamsin Ferguson-Coyles | BACHELOR OF ARCHAEOLOGY |
| James Paul Mcgregor | BACHELOR OF ARCHAEOLOGY |
| Anahita Ebrahimpour | BACHELOR OF ARTS |
| Nadia Metzger | BACHELOR OF ARTS |
| Freya Monteith | BACHELOR OF ARTS |
| Clint Morin | BACHELOR OF ARTS |
| Emily Catherine Pottinger | BACHELOR OF ARTS |
| Jessica Louise Allan | BACHELOR OF CREATIVE ARTS (CREATIVE WRITING) |
| Rachel Rosanna Bauer | BACHELOR OF CREATIVE ARTS (CREATIVE WRITING) |
| Eden Knill | BACHELOR OF CREATIVE ARTS (CREATIVE WRITING) |
| Maddison Rose Ann Nyp | BACHELOR OF CREATIVE ARTS (CREATIVE WRITING) |
| Hayden Thomas | BACHELOR OF CREATIVE ARTS (CREATIVE WRITING) |
| Caitlin Jumpponen-Clark | BACHELOR OF CREATIVE ARTS (DANCE) |
| Jack Christopher Costello | BACHELOR OF CREATIVE ARTS (FASHION) |
| Louise Cufone | BACHELOR OF CREATIVE ARTS (FASHION) |
| Felice Estrella | BACHELOR OF CREATIVE ARTS (FASHION) |
| Natarsha Jaffer | BACHELOR OF CREATIVE ARTS (FASHION) |
| Joanita Nakiyemba | BACHELOR OF CREATIVE ARTS (FASHION) |
| Miroslawa Tsiavlis | BACHELOR OF CREATIVE ARTS (FASHION) |
| Yano Vannea | BACHELOR OF CREATIVE ARTS (FASHION) |
| Jesse Alland | BACHELOR OF CREATIVE ARTS (SCREEN) |
| John Barrington Masri | BACHELOR OF CREATIVE ARTS (SCREEN) |
| Joshua Vincent Sleep | BACHELOR OF CREATIVE ARTS (VISUAL ARTS) |
| Hana Alison Thomson | BACHELOR OF CREATIVE ARTS (VISUAL ARTS) |
| Alesha Audrey-Jane Brown | BACHELOR OF CREATIVE ARTS (VISUAL EFFECTS AND ENTERTAINMENT DESIGN) |
| Samuel Eric Burleigh | BACHELOR OF CREATIVE ARTS (VISUAL EFFECTS AND ENTERTAINMENT DESIGN) |
| Reuben Daniel Chalmers | BACHELOR OF CREATIVE ARTS (VISUAL EFFECTS AND ENTERTAINMENT DESIGN) |
| Alannah Grace Costanzo | BACHELOR OF CREATIVE ARTS (VISUAL EFFECTS AND ENTERTAINMENT DESIGN) |
| Natalie Vivian Dewell | BACHELOR OF CREATIVE ARTS (VISUAL EFFECTS AND ENTERTAINMENT DESIGN) |
| Thomas Andrew Robinson | BACHELOR OF CREATIVE ARTS (VISUAL EFFECTS AND ENTERTAINMENT DESIGN) |
| Gian Brooke Sharrock | BACHELOR OF CREATIVE ARTS (VISUAL EFFECTS AND ENTERTAINMENT DESIGN) |
| Arien Murray Van Stralen | BACHELOR OF CREATIVE ARTS (VISUAL EFFECTS AND ENTERTAINMENT DESIGN) |
| Holly Jill Irvine | BACHELOR OF CREATIVE INDUSTRIES (FILM AND TELEVISION) |
| Charlotte Osborne | BACHELOR OF CREATIVE INDUSTRIES (FILM AND TELEVISION) |
| Oscar Ned Betts | BACHELOR OF CREATIVE INDUSTRIES (INTERACTIVE DESIGN) |
| Yee Wai Natasha Leung | BACHELOR OF CREATIVE INDUSTRIES (INTERACTIVE DESIGN) |
| Kizzie Mae Martinez | BACHELOR OF CREATIVE INDUSTRIES (INTERACTIVE DESIGN) |
| Ivana Bogosavljevic | BACHELOR OF CREATIVE INDUSTRIES (WRITING AND PUBLISHING) |
| Jessica Faye Coomber | BACHELOR OF CREATIVE INDUSTRIES (WRITING AND PUBLISHING) |
| Amy Ward | BACHELOR OF CREATIVE INDUSTRIES (WRITING AND PUBLISHING) |
| Jarryd Davis | BACHELOR OF LANGUAGES |
| Nhat Quynh Nguyen | BACHELOR OF LANGUAGES |
| James John Tsioumanis | BACHELOR OF LANGUAGES |
| Steven Skewes | BACHELOR OF LETTERS (ENGLISH) |
| Lachlan Jock Nancarrow | BACHELOR OF LETTERS (HISTORY) (GRADUATE ENTRY) |
| Athena Siapantas | BACHELOR OF LETTERS (MODERN GREEK) |
| Alyssa Reign Orquina Ejan | BACHELOR OF MEDIA AND COMMUNICATION |
| Vevina Kathleen Morgan | BACHELOR OF MEDIA AND COMMUNICATION |
| Ritika | BACHELOR OF MEDIA AND COMMUNICATION |
| Ripudaman Singh Bhati | BACHELOR OF TOURISM AND EVENTS |
| Ali Caitlin Hodgson | BACHELOR OF TOURISM AND EVENTS |
| Tegan Nelson | HONOURS DEGREE OF BACHELOR OF ARTS |
| Adele Jamie Victory | HONOURS DEGREE OF BACHELOR OF ARTS |
| Kim Kirchner | HONOURS DEGREE OF BACHELOR OF CREATIVE ARTS |
| Hatthakone Inthalath | GRADUATE CERTIFICATE IN TEACHING ENGLISH TO SPEAKERS OF OTHER LANGUAGES (TESOL) |
| Shiho Mimata | GRADUATE DIPLOMA IN TEACHING ENGLISH TO SPEAKERS OF OTHER LANGUAGES (TESOL) |
| Thomas Henry Bowden | MASTER OF ARCHAEOLOGY AND HERITAGE MANAGEMENT |
| William Cowling | MASTER OF ARCHAEOLOGY AND HERITAGE MANAGEMENT |
| Wui Yan Charlotte Ho | MASTER OF ARCHAEOLOGY AND HERITAGE MANAGEMENT |
| Sreen Boralessa | MASTER OF ARTS (WOMEN'S AND GENDER STUDIES) |
| Rojina Dhakal | MASTER OF ARTS (WOMEN'S AND GENDER STUDIES) |
| Maho Homasi | MASTER OF ARTS (WOMEN'S AND GENDER STUDIES) |
| Phongsy Panyanouvong | MASTER OF ARTS (WOMEN'S AND GENDER STUDIES) |
| Rakshya Risal | MASTER OF ARTS (WOMEN'S AND GENDER STUDIES) |
| Bharani Thillaiarasan | MASTER OF ARTS (WOMEN'S AND GENDER STUDIES) |
| Ruidie Wan | MASTER OF ARTS (WOMEN'S AND GENDER STUDIES) |
| Yuka Yamaguchi | MASTER OF ARTS (WOMEN'S AND GENDER STUDIES) |
| Soe Pyae Aung | MASTER OF ENVIRONMENTAL MANAGEMENT AND SUSTAINABILITY |
| Anusree Chalakkoth | MASTER OF ENVIRONMENTAL MANAGEMENT AND SUSTAINABILITY |
| Emily Glew | MASTER OF ENVIRONMENTAL MANAGEMENT AND SUSTAINABILITY |
| Kripa Krishna Kumar | MASTER OF ENVIRONMENTAL MANAGEMENT AND SUSTAINABILITY |
| Prashant Dhirubhai Ladumor | MASTER OF ENVIRONMENTAL MANAGEMENT AND SUSTAINABILITY |
| Sruthi Lekha | MASTER OF ENVIRONMENTAL MANAGEMENT AND SUSTAINABILITY |
| Ram Mahara | MASTER OF ENVIRONMENTAL MANAGEMENT AND SUSTAINABILITY |
| Alen Mathew | MASTER OF ENVIRONMENTAL MANAGEMENT AND SUSTAINABILITY |
| Navaneeth Janil Menon | MASTER OF ENVIRONMENTAL MANAGEMENT AND SUSTAINABILITY |
| Lawrence Chukwudi Nwabuisi | MASTER OF ENVIRONMENTAL MANAGEMENT AND SUSTAINABILITY |
| Zeel Naranbhai Parvadiya | MASTER OF ENVIRONMENTAL MANAGEMENT AND SUSTAINABILITY |
| Margesh Patel | MASTER OF ENVIRONMENTAL MANAGEMENT AND SUSTAINABILITY |
| Nikhil Raj Pothikkara | MASTER OF ENVIRONMENTAL MANAGEMENT AND SUSTAINABILITY |
| Gopu Purushotham | MASTER OF ENVIRONMENTAL MANAGEMENT AND SUSTAINABILITY |
| Erika Paola Orozco Rodriguez | MASTER OF ENVIRONMENTAL MANAGEMENT AND SUSTAINABILITY |
| Gladys Sayibu | MASTER OF ENVIRONMENTAL MANAGEMENT AND SUSTAINABILITY |
| Jie Xuan Tan | MASTER OF ENVIRONMENTAL MANAGEMENT AND SUSTAINABILITY |
| Lucy Russell Byrne | MASTER OF MEDIA AND COMMUNICATION |
| Xuannan Jin | MASTER OF MEDIA AND COMMUNICATION |
| Simran Khera | MASTER OF MEDIA AND COMMUNICATION |
| Harshul Narang | MASTER OF MEDIA AND COMMUNICATION |
| Md Zinnun Tazim | MASTER OF MEDIA AND COMMUNICATION |
| Nyo Mee Oo | MASTER OF SUSTAINABLE DEVELOPMENT |
| Keshalee Ruwanga Chandraguptha Halgahagamage | MASTER OF TEACHING ENGLISH TO SPEAKERS OF OTHER LANGUAGES (TESOL) |
| Md Sazzad Hossain | MASTER OF TEACHING ENGLISH TO SPEAKERS OF OTHER LANGUAGES (TESOL) |
| Jayden Leigh Keatley | MASTER OF TEACHING ENGLISH TO SPEAKERS OF OTHER LANGUAGES (TESOL) |
| Yao Ge | MASTER OF VIRTUAL PRODUCTION |
| Paul Kiama Irungu | MASTER OF VIRTUAL PRODUCTION |
| Ananthakrishnan Jayasankar | MASTER OF VIRTUAL PRODUCTION |
| Dharmesh Kumar Patel | MASTER OF VIRTUAL PRODUCTION |
| Peng Peng | MASTER OF VIRTUAL PRODUCTION |
| Haleemah Mohammed Sowid | MASTER OF VIRTUAL PRODUCTION |
| Xuan Suo | MASTER OF VIRTUAL PRODUCTION |
| Lurong Zhang | MASTER OF VIRTUAL PRODUCTION |
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